For all of you who were unable to make it to the opening night of my exhibit, here is a view of the photos on offer at the 4Faces Gallery. Actually, there are four extra here, due to limited wall space at the venue. You can see it on the wall in Siem Reap until February 28. Git on over there!
This is the explanatory text from the show:
“Be Unscared: A Glimpse of the Cambodian Spirit World in the Everyday”
This project is a first glimpse into the Cambodian spirit world – it can never be more than a glimpse, for an outsider.
I have worked as a photojournalist in Cambodia regularly (and irregularly) since 1998. I like to think this gives me a fairly good insight into daily life here, but I also understand that I will never be able to view the Cambodian cosmos as Khmers do. That cosmos is a blend of the ancient Hinduism of Angkor; spirit worship stemming in part from centuries of life hacked from jungles; and Buddhism, particularly its prayers, arcane writing and stories of religious men reborn into better lives.
Visiting foreigners – and those who have lived here for years – know this spirit world exists, but we often miss and misinterpret the common gestures: a bit of graffiti, a monk’s breath, the flames of a candle. This world holds great appeal to an impoverished population that is poorly connected to the wider world, and unprotected from threats of modern progress.
The title “Be Unscared” comes from a sign at the Temple of the Floating Tree near Phnom Penh, home to a monk with an elephant tusk that people believe cures mental illness. While the sign echoes one of the teachings of the Buddha, it also sums up what Cambodians have wanted for centuries. It’s a call for calm in the face of a dangerous world, whether the danger comes from beasts of the jungle or those next door.
This exhibit is really just the start of a project I intend to work on for the foreseeable future. I really don’t imagine I will see all of the Khmer spirit world any time soon.
On a technical note, the project is done on 35mm color negative film (itself now an arcane medium). The film is past-dated, which made it cheap but that also led to uncontrolled color shifts in the prints. I also had to get re-acquainted with taking photos without an LCD screen on the back of the camera. I had to be unscared, and trust that the images would be as good as I imagined. Sometimes they were – sometimes they weren’t. Sometimes they were better.
Peanut Gallery